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Fashion / lifestyle

Watercolor Drop Print for A Fish Named Fred – SS24 Collection

Project Details

For the SS24 (Spring/Summer 2024) collection of Dutch fashion brand A Fish Named Fred, I was commissioned to design a custom textile print that balanced artistic softness with brand energy—a pattern they call a “minimal print”.

The result was a hand-crafted watercolor drop design, transformed into a versatile fabric print that works across shirts, linings, and accessories—bold enough to feel like Fred, but subtle enough for wearability.

The Concept

A Fish Named Fred is known for playful, expressive fashion with Dutch character and global color stories. For SS24, they wanted something that felt:

  • Seasonal, light, and expressive
  • Minimal but still distinctly “Fred”
  • Flexible across colorways and garments

I designed a series of paint drop compositions, hand-painted and digitally refined to fit fashion textile standards.

Color Variants Delivered

  • Blue with orange + beige – nautical, calm but warm
  • Blue with green – fresh and summery
  • Light green with red + soft pink – tropical, vibrant with softness

Each colorway was adjusted for fabric printing balance, contrast, and garment usage. The print had to remain legible and refined whether scaled up for statement shirts or used subtly for lining.

COLOR VARIANTS

What I Delivered

  • Hand-painted watercolor elements scanned at high resolution
  • Repeatable tile design with seamless edge alignment
  • Three distinct color variants
  • Optimized files for textile mills (CMYK, vector overlays, digital print-ready files)
  • Print previews and scale guides for production teams

Why It Works

✔️ Brand fit – Bold without shouting, artsy without being messy
✔️ Commercially versatile – Usable across multiple garments and accessories
✔️ On-trend for SS24 – Watercolor, minimal organic forms, and warm/cool pairings
✔️ Production-ready delivery – All files structured for real-world textile production

What I Learned

Designing textile prints is about more than beauty—it’s about rhythm, repetition, and reality.

This project taught me to:

  • Balance expressive handwork with digital structure
  • Design for scale and application, not just the artboard
  • Deliver both creativity and production logic
  • Work within a brand’s tone while still evolving it

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